The Graphic 1 is a hybrid system (hardware and software) for graphics communication between user and computer. It was developed by William Ninki at Bell Labs in 1965. The system, designed for engineering purposes, it was used by Max Mathews in combination with the Music IV in order to define […] Graphic 1September 11, 2011 in TOPICS tagged Graphic 1 / Max Mathews / Music N by Alex Di Nunzio (updated on July 16, 2014)
GRM Tools, created at the Groupe de Recherches Musicales (GRM) of Pierre Schaeffer, is a package of software and utilities for sound synthesis and processing. It was developed over a decade and was implemented even in VST and RATS environment. GRM ToolsApril 15, 2011 in TOPICS tagged GRM Tools / Groupe de Recherches Musicales / Ircam by Alex Di Nunzio (updated on June 15, 2013)
1 comment GROOVE is a hybrid system for sound synthesis and control in real-time, developed in the seventies by Max Mathews and Richard Moore. GrooveDecember 12, 2010 in TOPICS tagged Digital Synthesizer / Groove / Max Mathews by Alex Di Nunzio (updated on July 3, 2018)
3 comments Since the mid-twentieth-century electronic music began to emerge through two different trends: that of Cologne, called Elektronische Musik, and that of Pierre Schaeffer, called Musique Concrète who identifies with the Groupe de Recherches Musicales (commonly referred to GRM or INA/GRM). Although the activity of Schaeffer is more noticeable in the […] Groupe de Recherches MusicalesDecember 15, 2012 in TOPICS tagged Computer Music / Groupe de Recherches Musicales / Pierre Schaeffer by Alex Di Nunzio (updated on June 25, 2013)
HMSL is an object-oriented programming language developed over nearly a decade by Larry Polansky, David Rosenboom and Phil Burk. It is designed to help the composer in the real-time computer music composition and performance. HMSLFebruary 15, 2012 in TOPICS tagged HMSL / JMSL / JSYN by Alex Di Nunzio (updated on June 26, 2013)
2 comments HPSCHD is a large and complex multimedia work, carried out by two particular stars of American music: John Cage, among the most controversial composers of the twentieth century, and Lejaren Hiller, a pioneer of computer music. HPSCHDDecember 3, 2014 in TOPICS tagged HPSCHD / John Cage / Lejaren Hiller by Alex Di Nunzio
8 comments The Illiac Suite is the first musical composition for traditional instruments that was made through computer-assisted composition by Lejaren Hiller and Leonard Isaacson. Illiac SuiteDecember 4, 2011 in TOPICS tagged Illiac Suite / Lejaren Hiller by Alex Di Nunzio (updated on September 22, 2021)
JMSL is a language based on Java, for experimenting with algorithmic music composition, live performance and the realization of intelligent tools. JMSLDecember 8, 2011 in TOPICS tagged HMSL / JMSL / JSYN by Alex Di Nunzio (updated on June 25, 2013)
JSyn is a tool for real time sounds synthesis. It is based on Units Generator concept introduced with Music N and is suitable to be used for stand-alone applications or implemented in Java Web environment. JSYNDecember 8, 2011 in TOPICS tagged HMSL / JMSL / JSYN by Alex Di Nunzio (updated on June 25, 2013)
15 comments Lejaren Arthur Hiller Jr., pronounced Luh-jare-en (New York, 1924 – Buffalo, 1994), has been a music composer but unusual, because his training took place first of all as chemist, and after as composer. Lejaren HillerOctober 1, 2013 in TOPICS tagged Illiac Suite / Lejaren Hiller / Musicomp / Phrase by Alex Di Nunzio (updated on June 20, 2018)
Les Ateliers UPIC is the name CEMAMu founded in 1985 in Paris by Iannis Xenakis and the French composer Maurice Fleuret and Iannis Xenakis, who was also a composer. Formally, was born as an association which had the task of promoting the knowledge and use of the UPIC system. Les Ateliers UpicAugust 25, 2014 in TOPICS tagged CCMIX / Iannis Xenakis / Les Ateliers Upic / UPIC by Alex Di Nunzio
M is a software realized in 1984 by Miller Puckette at MIT, Boston. It was designed as a sort of utilities for a previous music software, named Music500. M would simplify to writing the orchestra section. MAugust 3, 2013 in TOPICS tagged Max/Msp / Miller Puckette / Music500 by Alex Di Nunzio